Muddymitts said: Which is confusing because in the example of horses given -- regardless of whether a horse is a Tobiano or an Overo -- he/she is STILL a paint. The designations are an indicator of which type of paint. And yes -- genes do determine which kind of paint a given horse is -- but an experienced person can look at the horse and know.
tveguy3 said:Well, I did a "small" amount of research (a little knowledge can be dangerous), anyway, I found out some things about anthocyanin pigment. A part of their job in a plant is to absorb some of the color spectrom of the sun light, which would explain the almost glow of the Glaciatas, as they would reflect more light then obsorb it? Just a guess. Anyway, thanks, Kent for that explanation, I think that helped me a lot. Now one thing remains, How do you know about horse color genetics? A horse can carry both of the genes, one for Tobiano, and one for Overo, and they will look mostly white with a few patches of other color. Can an iris carry both the Plicata, and the Emma Cook patterns? If they are separate alleles that should be possible. Wonder what they would look like?
Muddymitts said:
In the plicata example that you showed (can't remember the name) -- it had rim colors well-defined and a saturated color, and on both standards and falls. Would that qualify as a definition of a plicata Iris?
Muddymitts said:
In both Designer Art and Clothed in Glory -- the colored edge is not a distinct band -- it's more of an *aura* of color. And it's a soft version of the color. And I believe this is true of Queen's Circle too -- gotta go look at it again. And the standards have no rim color at all. This is true for these three -- is it true for all Emma Cooks?